They’re going into the live studio setting in front of celebrities, and they have to be able to pull it off. There’s a fantastic team of vocal coaches and choreographers who work right up until the last minute because if you’re training somebody who’s not used to performing, it’s a big deal for them. We work with them extremely closely - the good singers as well as the bad singers. We’re constantly against the panelists and trying to trick them on some occasions, and then in other ways we have our Susan Boyle-type singer, who may not look like a performer but then has this incredible voice. You forget how many natural things people give off when they’re actually a performer, even from the way they walk to how they hold the microphone. It’s a real journey for them having to effectively fake that they’re a performer. What is the casting process like for the good and bad singers? audiences have loved, and it’s given us the human-interest angle as well in terms of the stakes of what you’re playing for. It’s really given us something that I think U.S. Something that Rob Wade wanted to do was to bring in the game-show element, so we added a contestant, and then we had to figure out how that part of the process would work in terms of the musical guest being in a slightly different role. In Europe, a lot of panel shows work very, very well, but they’ve never worked that well in the U.S. The Korean format is much more of a panel-based format, where the music star is the main focus and the panel is advising them throughout the show. The most significant element was that we wanted to create more of a game-show feel and create more stakes within the show.
How did you adapt this Korean format for U.S.
With season two now also in the books, McKinlay spoke to THR about bringing the hit Korean concept to America and finding the country’s worst voices.įox Cancels New Year's Eve Show Amid Omicron Surge: "Impossible" to Produce Safely The team, including host Ken Jeong and executive producer James McKinlay, did not let the shutdown slow them, though, and used the time off to study that first episode and make improvements for their return, when I Can See Your Voice became one of the first shows back to work. I Can See Your Voice - Fox’s musical competition series based on a hit Korean game show in which a rotating cast of celebrity judges help a contestant guess if a crop of singers (aka “secret voices”) have good or bad voices without hearing them sing a note and with a cash prize on the line - launched its debut season in September after its production was derailed by the pandemic, having only one episode shot before the set was closed in March 2020.
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